A freshly coined acronym came to light a couple of months into the intensive bombing of Gaza by Israel. Labeled WCNSF, it stands for “Child casualty without any family left”. This acronym is specific to Gaza, per insights from doctors like paediatricians. Typically, it is uncommon for doctors to care for a young patient who has been bereaved of their complete family. But, there has been nothing “normal” regarding the devastating conflict in Gaza, where whole bloodlines have been wiped out and the number of young amputees is greater than that of any other region in the world. Nothing normal about many doctors returning from a devastated terrain with accounts of children being deliberately targeted.
Conditions in Gaza persist as a profound humanitarian disaster. Vital medicines and equipment are failing to reach those in need, and groups like Amnesty International have stated that violations are ongoing. Officials disputes these accusations, consistent with how it refutes each claim it is charged with. But while traumatised orphans are now freezing in improvised encampments, there is a piece of uplifting information: apparently nothing is going to stop the international singing competition from pursuing its stated mission of “unity and artistic sharing.” Organizers will continue to roll out a welcoming platform for Israel, despite the fact that at least four European countries have now pulled out in protest. And this, apparently, is what unity looks like.
The contest, notably prohibited Russia from participating in 2022 due to the “grave situation in Ukraine”. Yet the conflict in Gaza appears to be entirely distinct.
Disregard the reality that Israel was accused of questionable voting tactics last year in what could be seen as an effort to manipulate Eurovision. Ignore the report that a toddler was allegedly fatally struck in Gaza just days ago. Forget the fact that attacks by settlers and systematic expulsions in the West Bank have escalated. Overlook the situation that international journalists are still denied independent reporting in Gaza. This entire context, apparently, should be seen as a barrier of Eurovision’s cherished spirit of unity.
The contest marks seven decades next year – roughly two times the current lifespan of an individual in Gaza today. The event will proceed, but it will likely never recapture the whimsical pleasure it was formerly known for. An institution that once promoted peace has now become a transparent instrument to whitewash war.